Phonometrologist's audio Reviews on Newgrounds

[Area 15]

Hey I like your style! This and your other pieces show that you aren't concerned in trying to fit in a particular genre but rather to make music for music's sake.
For this piece, you got a lot of interesting sounds going on and this piece moves--not static at all even from the start. 1:37 is pretty sweet and very pleasant to listen to. Please continue as I'm interested in what else you end up putting together.

[MrO- Rising Flames]

This isn't as bad as some of the reviews made it out to be I thought. This actually gave me a smile, because I find that synth to be very humorous. Why not have some fun in this goofiness?
And those last couple of seconds? It sounds like a parody to me, and with that mindset, it's pretty good as that.

Mrobeymenow responds:

I'm glad you liked more than most. Thanks for viewing the positive for me!

[Sojourn]

Yes you got that classic sound from that century but with a more modern approach as well. I’m afraid that this piece might get overlooked too quickly because of your subtle approach and its gentle quality. I can hear Debussy’s orchestration and at 2:00 those strings are great.
By the end, I just feel complete and full after hearing this. The descending contour just puts me at rest.

DamienFleisch responds:

Thanks :) That's exactly the feel I was going for. I've been a little worried about this piece being overlooked as well but I trust the judges will evaluate it fairly. I'm glad the Debussy came through, I spent a little time with La Mer while I was getting ready to compose this. Funny enough, though, my original intention was to go in a Copland-esque pastoral direction!

[When It's Cold]

You know I like this approach in composition where it takes its time, not to present itself right away, but allows the listener to come into its world if the listener has the patience. Like in anything that deals in beauty, it mustn't be rushed and used for its mere consumption.
As a pianist, I've come to see the subtlety in melody. Not to digress too much, but if you're familiar with Clair De Lune by Debussy, I've come to realize that there are several small melodic lines going on in that piece that share the same measures within each other, and they aren't as apparent always. Melody doesn't have to be overbearing, nor a front in any arrangement of instruments, but there is melody here.
Love the ending by the way with the slight hesitations in the chords.
It's a very reflective, short piece that you got here. Can totally hear how broove might have subconsciously inspired this.

LucidShadowDreamer responds:

Yeah, I didn't really feel like this composition needed a fast beginning, so I just made a short intro for it, before it really takes off. Then again, this is at no point a very fast or dramatic piece, even if it has its moments in the transitions and such :)

You're right about the melody. I am indeed familiar with Claire De Lune, and I think I know what you mean. This track is of course not comparable with Debussy's composition, but I can see how the melody might work in a similar way at some points. There is definitely a melody here, which I'm quite aware of, but I don't think that I'd personally call this a melodic track :3

I'm glad you liked the ending too! I decided that this song shouldn't just end on a single note after the solo piano part, as I don't think that'd suit the artpiece as well as this ending does. So instead of a somewhat generic ending, I ended the piece with those chords.

It's kinda funny how I recorded the entire piano part before I realized how similar to some of brooves most recent tracks this is. Not necessarily in atmosphere, but I used the piano in a very similar way XD
Anyhow, your piece for this contest is amazing! It's among my favorites of them all. Now I feel bad for not writing a proper review for it, but I simply didn't find anything to improve, and I enjoyed the entire experience! Good luck in the contest!!!

Thanks for your great review :D

[Luo Varjo (A.I.M Contest)]

At 1:30 it got really interesting. I thought this was just going to be ambient straight through, which IS nice, but I like your approach in putting this together. Good pad, but the “dropplet” effect makes me want to go tinkle.
My thoughts are similar to Realfaction about the percussion but I’m not looking too much into the detail when I’m listening to this as I still enjoy it. It seems the transitions could use some shaping to make it feel more complete. The howling was humorous only because I don’t know what you’re trying to convey there.
You have an interesting approach to your music that I could say is unique and quirky.

arbelamram responds:

thank you very much thats very supportive :)
you are right about the transitions , it was a bit lazy part from me...

about the howling was becuse the art that inspaird me (http://www.newgrounds.com/art/view/maquenda/luo-varjo)
i was looking for a creative idea to end the break.

thanks, Spread the Love ♥

[Sacred Chants]

This takes me back. I like that you chose a slight difference approach in style from your previous entry. The percussion and voice makes this sound like Enigma and I’m surprised that no one has mentioned that yet. I don’t have much to say other than I enjoy this to be quite refreshing to my ears as they are worrisome from all the noise I’ve been writing lately.

Emid responds:

Glad you enjoyed. I have mainly this cinematic ambient orchestral style in my mind to experiment as soon as time allows me. Somewhere I mentioned I used Shimmer reverb which is very hard to control without gating. This song is an experiment without gating and although am not happy with the structuring, I am happy how it came out. Technically it was hard.
And yes...sorry for late reply. Busy with my newborn baby.

[8bitbleepshit ng loves it]

LOL great comment. I just figured people enjoyed 8 bit for pure a nostalgia sense as they reminisce of the old 80s and 90s video games.

really can't properly review on the music for I'm not really into 8 bit. I will say at moments that it reminds me of some Radiohead stuff.

jambrother2 responds:

no your right, its just when i spend ages mixing a song to as close to perfection as i can get it with real guitars and instruments and it gets zero bombed straight away but when i spend five minutes making some bleep thing it gets way more downloads and it just annoys me a little.
and thanks about the radiohead thing i try to get as close to their sound as i can without actually ripping them off, some of my others are a lot more radiohead-y if you liked it too

[80's Chick]

Upon reading your description and comment, it seems that you’re not taking yourself too seriously in this piece. With that approach as a listener, I find it to be humorous. Maybe because memories of being Rick Rolled is coming back to mind when I listen to the first couple minutes. Coincidence?

5 stars for the possibility of this being a satire.

[Lost in Deep Space]

The opening chord progression reminded me of “Time,” except the last chord, so that kind of got in the way a little bit of my enjoyment for the beginning.
However, the synth instruments were great as everyone has already mentioned. After a while, and with the slow addition of layers, I begin to stop critiquing it and just enjoy it as I allow it to wash over my thoughts.
Yes the piano needs something like a reverb, a delay, or any effect for that matter—I don’t care what. The synths create a nice atmosphere so you don’t have to worry about making the piano sound realistic as long as it isn’t too dry in the mix as it is now.
Everything beyond the third minute mark sounds great, and I wish you could have kept that going—just wanted to affirm even further what has already been said about this part. Love it.

Chemiqals responds:

Thank you so much! I've touched it up even further. Added some more reverb to the piano and tweaked the EQ of most of the instruments. AND I altered the velocity on all of the notes to try and give it a more natural sound overall! Hopefully the changes are for the better! ^_^

[Contemporary]

Yeah this works well for me because I don’t care for Dubstep. Those piano chords sound really interesting, but I’m having a hard time hearing them. I wish it was recorded better. However, it does seem to invoke a bit of nostalgia for me.
You recording it on an iPhone-mic is too funny.
This whole thing stands unique to my ears even though the mix still needs a LOT of work as you already mentioned, but you seem to have a good sense of melody, harmony, arrangement, and structure as it is well constructed.