Phonometrologist's audio Reviews on Newgrounds

[Oceans Wide]

I think etherealwinds is on to something here. I downloaded your piece out of curiosity and analyzed the phase and just to mess around with the frequencies. The beginning does sound like it's in mono but it really just gives that illusion because the combination of too much mids and most everything is panned to the left. The instrument you have on the right isn't very present and so it's just out of balanced, and I would have the bass more centered. The piece sounds much better mix wise when I make the low frequencies more present via the EQ. What microphone are you using? The piece sounds much more full at 2:23 and beyond. But I do like the mallets.
That being said, the composition and your lyrics are gorgeous. When I get passed the mixing issues, I really don't get tired of this. Your singing is great, and I like the progression you have going. The different parts that you have the instruments play in the last quarter of this piece is great to listen to.
Besides the mixing sounding a bit narrow, you have a lot of good ideas. I like the drive this piece has—very uplifting in a sense. I have to admit that despite its flaws, this is quite alluring, and I can't quite put my finger on why. Perhaps it's the combination of your lyrics, singing, and progressions that really makes this piece. I hope this was constructive for you. Mixing will come in time, and I have to admit that after composing something we are left with little time to mix within the 2 week span. I hear a lot of mixing issues in my piece as well so don't get discouraged.

Troisnyx responds:

Eh, thank you! Constructive as it gets! ^_^

The mic I'm using is a Samson Go (which, as Step said once to me in a previous review of his dating back to last year, is a bit of a high-pass filter). It's good for vocal clarity; downside is that it cuts out the basses. Boosting lower frequencies on Audacity gave me no joy, and I'm scared of even touching low-pass filters for fear that the recordings sound..... just.... wrong.......

Strangely, if I record a bodhrán on said mic and boost the basses, I have no trouble with it at all. So I kinda don't know how to tame this mic just yet.

Trouble with a lot of my pieces, I'll readily admit, is my mixing. No matter how much time I have, either the instruments blast out of control through the speakers or headphones, or the bass sounds tinny, or the voices sound tinny, or something or other. But I really, really want to learn -- and I suppose these reviews are a start.

Thanks again -- you've helped me a lot.

[Smoking Guns]

Ooohh this is a fun piece. I like your experiment here, and I could’ve used more of it. The panning piano being used with the other different, percussive elements really makes this interesting to listen to. And then the piano standing alone at the end is great. Would have loved to hear you expand upon it. Nice work.

ChrisisD responds:

I thank you very much!! I've been progressing on this for a little bit. Especially expanding on the middle section of this song. Though I got kind of stuck in the end and didn't finish the expansion much further. Cheers!

[Gather The Clans]

This is such a fun piece. From the start, the strings, percussion, and harmonic progression are all top notch. Love it. The more I listen, the more I can appreciate the detail in this. I can’t dissect this piece as much as I would like as I’m at work, but I would like to suggest that if the opportunity comes, think about the overall structure of the piece to where it is going or what you’re trying to say in a piece. This is such a good, action-paced piece that I really don’t know where it’s going to lead to just like in a typical action scene from a movie. But that’s more from wondering what you can do in regards to with what you have already done here and making it into a "classical" style approach.

LunyAlex responds:

[Sorry for the late reply; I've been allover the place lately]

Thank you so much for your review! I totally get what you mean, and starting to write in a more listen-friendly structure, rather than in an imaginary-scene-driven context is definitely on my "Things to get better at" list.

Thanks again!

[Sjaan the Flying Doctor]

Just wanted to say that you really know how to write some catchy melodies, and they seem to have a more somber tone in them which I prefer personally. The kick is nice, but it’s not quite balanced with the rest of the percussion. That tone of that piano is really good once it’s being played alone. Of course I would have liked to hear more of that.
I like the structure and the mindset you have behind this piece. The only criticism I have is perhaps not enough harmonic detail and it could probably use a bit more tweaking on the mix with a few instruments such as using a bit more automation to give the strings more life.
Overall, I enjoyed this one.

SourJovis responds:

Thanks. Writing catchy melodies is my speciality I think. Mixing and creating good accompaniments not so much.

I like (my) more sombre work better as well, but I like to try out various things. This song is more hopeful, with a hint of sadness at the end. I plan to use it on my next album near the end as a sort of hopeful ending kind of feel.

I'm currently trying to improve the song,even though it doesn't count for the competition anymore. I'll add more automation to the strings, like you suggested, to make them less flat. I removed some treble and base from the kick and reduced the volume a little to make it stand out less, and better fit the mood of the song. I think I'll add a fretless base guitar to the second halve of the song (when the lead guitar comes in) to add more harmonic detail, and to compensate for the kick that I've now reduced. I think I'll also add some harp glissandos. Any more suggestions?

[Argentinean Memories]

For the beginning, I get the same amount of enjoyment from this as when I listen to Piazzola’s works. I would have been content if you stayed on that for several minutes, but everything afterwards is great as well. I like this approach and the overall structure of the piece. I know I don’t share the same sentiments with some about the section with the more modern approach, but all of it just so brilliantly done yet they almost just seem to tease. But then again, your description/story of the piece is very fitting for that impression I have. I really really can’t criticize anything even with the brevity of it, because it’s better to be in a situation to want to listen to more than to want to listen to a piece less. I’ll just have to repeat listening as much as necessary. Do I even have to mention the amount of detail, the instruments being used, and how impeccable they sound?

SoundChris responds:

Thanks so much. Your reviews really always move me. That you enjoyed the track the same way you do enjoy piazzola´s music is just the very best compliment we could get. We really tried so hard to create a convincing performance here since we also knew how much the success of the piece depends on the instruments quality. I even drawed the vibrato curves by hand so they have got the right speed and variety ... ok call me crazy - it really was extremely timeintensive to edit the violin and the accordion. But i think this pays of because you learn so much about how instruments which you have no experiences with yet work, what the performer may think and which emotions he would feel during his performance. Creating such kind of piece makes it necessary to try to really engage with the instruments emotions. We am really glad about this experience since this was really a wonderful project for both of us ... but to be honest - no more tango / accordion for the next few weeks :D :D :D

Thank you very much for your kindness good sir - we really appreciated it. All the best!

[i believe]

Nice beginning to set up the atmosphere of the piece. As I'm listening, I don't know what to expect except greatness. However it didn't build until the 3 minute mark and I found my focus drifting away from the piece up to then. But once we got there, it's quite remarkable how you're able to reach such a blissful climax such as this. Will it be enough?

Overall, I heard the lull in this piece as that is perhaps what you might have been talking about in how you been feeling as of late, but it has it's sparks of brilliance peaking around the corners.
That synth at 5:08 for a moment was quite nice--as if it was sighing.
Good work here. With the crazy group that you're in, it's going to be quite sad whoever wins as someone great is going to be left behind too soon in the contest.

johnfn responds:

Yeah it got a lot of flak for the slow buildup huh? I kind of like really long slow songs but I suppose their not everyone's cup of tea ;-) Thanks for the review.

[My Cortana]

Wo The guitars are seamless here. The instruments used in this piece sound so good. I really don’t know what to say.
I would like to read about the progress of this track in how it was being developed, i.e. your mindset.
Assuming it’s not just some library, tell me about the drummer and the guitarists!

[The Abyss]

I couldn’t help but smile when I started to listen to this. Very Stravinsky like and a few others. TOO Short! Could’ve listened to this for another ten minutes or more…don’t want to be too greedy. I really like the timbre and quality of these instruments. I’m getting jealous quite a bit listening to this.
Those chords are piercing, and listening to them a second time through, they’re still giving that same effect. This piece isn’t going to get old anytime soon.

DamienFleisch responds:

I had an ambitious idea at the outset to start with the melody at the beginning and slowly expand it to a tone row which would have made it much longer. Unfortunately, I'm going to be busy the next couple of days so I had to finish it, temporarily. I'm glad you heard the Stravinsky too, he's a huge influence on me :D

Thanks for the review, and I'm really looking forward to hearing what you've come up with!

[Nordic climes]

I really love the chord progression, in particular the ones we first hear in the beginning of this piece-- giving this a listen multiple times. I like the melodic contour and timbre of the flute as well. The only thing is that this sounds a bit sparse, but I could enjoy it just as in a more personal approach. Very enjoyable and pleasant to listen to.
Danke Schön

[#1 - We Take Over - NGADM]

I don’t always leave comments, but when I do, it’s because I’ve enjoyed it. So I’m not going to complain too much about anything. This piece has a nice progression and the sounds you have going is great. It’s a bit short in a sense that it didn’t feel complete by the end, but it has a nice intro to it at the very least.